Ground Control Color is a great website I have found that provides a bunch of great LUT packs for different looks on different cameras. This may not always be the final look you are going for, but it can be a great starting point to see what your footage can become. When you apply a REC.709 LUT to your Log footage it will instantly bring the color and contrast of your image to the REC.709 standards. REC.709 is the current broadcast standard color range. While LUTs can be used to stylize your footage and create infinite possibilities for looks, some of the LUTs I use most often are a transfer to REC.709 color.
REC 709 LUT DOWNLOAD HOW TO
This is a profile that can be loaded into your color grading program that tells the software how to interpret the footage it is receiving. One of the fastest ways to grade your Log footage is by using a LUT, or Look Up Table.
Each manufacturer records these profiles slightly different, so each will need a different treatment in post production to acquire the look you want. Canon has Cinestyle and C-Log, Sony has S-Log2 and S-Log3, Panasonic has Cinelike-D, GoPro has ProTune, and Blackmagic has BMDFilm. More and more cameras these days are including these flat profiles as recording options. One of the best ways to increase the dynamic range of your camera and retain the ability to color grade your images in post is by shooting in a flat Log profile.
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